Sunday, August 22, 2010

Mentorship diary

I Shall be keeping a diary on this blog about a mentor for my carrier, the person i have Chosen for this is Hugh Jackman.
I intend to make updates as I go along with anything i think is relevant, but this is my initial analysis and commentary.

"Hugh Jackman mentorship diary/blog

I shall be using Hugh Jackman as my ‘mentor’ for my own carrier in so far as is applicable and within the scope of this course.

Reasons that I have chosen Hugh Jackman as my mentor.

1. He is Australian like myself.

2. He has a very similar aim in so far as carriers go as myself, meaning an equal interest in both stage and film acting as well as a musical interest. Though my own musical interest is more primary.

3. Both our primary musical expression seems to be done via voice.

4. He does not seem to be caught in the ‘stardom’ as others are.

Commentary on Hugh Jackman’s early life/ establishment of carrier.

Interestingly Jackman did not always wish to be an actor, he initially studied to become a journalist, to that end he completed a bachelor of communication at the university of technology in Sydney. It was only after he completed this degree that he realised that he did not actually want to become a journalist, and realised that he actually had a passion for acting due to the drama class he took in the last year of degree. To tryout acting, he auditioned for a role in neighbours, and in the interim between audition and response he enrolled in WAAPA (Western Australia Academy of Performing Arts), he got into both, and deciding to make a proper go of his carrier and threw himself into his course, turning down the neighbors role.

The message I get out of this is to make sure I have my goals, and not take every opportunity that comes to me, especially the ones that lead me off the path that I wish to take.

After completing his course at WAAPA, he got into a stage role, such as ‘Beauty and the Beast’ and then got a some of roles in various soap operas; Blue Heelers, Law Of The Land Correlli, minor episodes and such.

From his I get that building a name for your self is a very good idea. To make yourself known, and that it is important to make sure you build your name through the right means, not choosing any opportunity that comes your way.

Jackman the moved onto get a number of larger roles on both stage and screen. These roles included parts in two Australian films ‘Paperback Hero’ and ‘Erskineville Kings’ these films were relatively uneventful in terms of Jackman’s success, just another step on the rung. The role that did contribute to his success is his part in the musical ‘Oklahoma!’. This part contributed to his success in that an audience member would become the director of X-men, and he later suggested that Jackman take the role after another actor had to step out.

The story I take from his is that all performances are important, and all should be given ones all. As you never know who will be watching, as he could just have easily gotten a role from the movie as from the stage production. This brings up an interesting point; luck, which is, as I have observed a very real factor in the performance industry, and as with all things concerning luck, one must be persistent in the face of failure, and constantly give 110%. Because in Jackman’s case, the director could just as easily not been in the crowd for his ‘Oklahoma!’ performance, or the actor that did drop out could have not, thus causing his ‘break’ to not occur.

Jackman was hen asked if he would like to take the role of Wolverine in the movie X-men, which was his major break for fame, and from that performance he had roles written for him such as Van Helsing, as well as the other movies in the franchise. And this break also opened doors for him in other movies such as ‘Swordfish’ as well various other movies.

From this I take that that when one gets a break, one should defiantly ride it!

A point I particularly like about Hugh Jackman, and the main reason I’ve chosen him as my mentor is because even after he achieved this massive Hollywood fame, he retained the depth of his carrier, i.e. taking the lead role in ‘The boy from Oz’, and doing such a good job of it that he received a Tony award for his performance.

From this I take that one should continue doing what one loves, even if one has ‘made’ it, don’t get lazy and take the easy path, constantly work in life and do as many things that you love as you can. Success comes to those that work!

In recent times Jackman has taken more roles in various movies, adding more wood to the fire of his fame.

Being that I’m more interested in how to get ones carrier started, I don’t see much to comment on in the sustaining of his carrier, aside from that the method by which he’s going about it is worth of praise, taking mainly if not only interesting and stimulating movies, not ‘selling out’.

References:

http://www.talktalk.co.uk/entertainment/film/biography/artist/hugh-jackman/biography/42?page=2

http://www.notablebiographies.com/news/Ge-La/Jackman-Hugh.html

"

Monday, May 24, 2010

insight

I just got told by my (hopefully) teacher that any more than 16 voices would be too unwieldy, as everything must be sung a Capella, or unaccompanied. so this reduces my previouse estimate of forty voices quite considerably.

Tuesday, May 18, 2010

Problems faced by the Idea

There are a number of problems with this idea. I will try to identify and solve the ones I can think of.
(note: P= Problem S=Solution)
P: actually finding the forty odd people to donate there time to the choir.
S: using my contacts in industry I would go around to various artists and or opera organisations and present my idea, hopefully enrolling them in the positives of the idea, and getting them involved.

P: Choice of songs
S: myself and a few guiding individuals would choose the songs that we think are the most easily accessible to the general public.

P: locations/ target audience age
S: the target audience age would be around 18 to 30, and thus we/I would do research into where good places to go to get exposure is. also Filming said performances and putting them up on YouTube could generate good publicity also.

I can't really think of any other problems, as the cost of this venture is nigh non existent.

Description of my idea.

so my idea is to have a flash choir.
This means that a a group of Classical singers, (Soprano Alto Tenor Baritone/bass) numbering around fourty, would arrange to converge at a place in casual clothing and sing a song or two, and then dissipate. these places could be places like the train at peak hour, fed square on he weekend the streets of flinders outside parliament, just generally places where there are lots of people.

It is important to note that this choir would rehearse togetehr, at least on a weekly bases for a while. so that they sing well together and that their pieces sound good. clearly the singers would have to be able to sing without instrumental accompanyment. (bar mabEy the first perosn to sing, who brings a small mouth organ or somethign to tune against.)

There are two purposes to this project, the first being bringing the joy of classical choral music to all people, which will hopefully fulfill the second purpose which is to increase the interest in classical music, and thus hopefully the attendance of opera's and orchestra recitals etc.

Stats on classical music

Here's some quick stats I found about the classical music area.

(so these stats basically show that there's a whole lot of funding for classical music, but very little attendance. and so possibly the aim of my flash choir could be to bring classical music to people, and thus increase their interest in it, hopefully increasing the attendance of classical music.)





http://www.australiacouncil.gov.au/research/arts_funding/reports_and_publications/government_funding_of_music_concerts





"About 1.5 million people aged 15 years and over attended classical music concerts in the 12 months prior to interview, according to a 2005-06 survey by the Australian Bureau of Statistics.



These concert-goers represent 9 per cent of the population in their age group. Among them, 58 per cent attended classical music concerts more than once in 12 months.




Around 4 million people aged 15 years and over attended popular music concerts. They account for one-quarter of the population in their age group.


Among them, about 65 per cent attend popular music concerts more than once in a year.The number of people aged 18 years and over attending music concerts increased between 2002 and 2006.




For classical music concerts the rate of attendance increased from 9 per cent to 12 per cent. For popular music concerts the rate increased from 26 per cent to 32 per cent."






In 2006-07, the Australian Government and state and territory governments provided about $166.3 million in funding to organisations for performance of vocal and instrumental music, according to the Cultural Ministers Council Statistics Working Group.





The type of practitioner I am

Just incase you didn't notice. music and performing is what really gets me going. and so if i were to class my self as a practiioner I would class myself as a musician/actor. though not just the singer/actor who does random plays. I love and aim to expand peoples minds bringing them new thoughts and ideas, so that they may live a happier life, and help those around them lead a happier life also. this means thast I love creating my own songs and plays, and contantly have half formed ideas bubbling away in my head. this also means that were you to ask what thype of practitioner I am, I would reply, "a passionate one!" and then go on to specify that I'm a performer.

Final decision.

So I've decided to go weith my idea for a flash choir, as it is the one that most appeals to my intersts.

I particualarly enjoy the bit about bringing music to everyone. i think this will be particularly great as it will help bring people closer, in sharing a common enjoyment. something i've noticed is when something funny or new and excting happens around people, people start talking to strangers in a friendly and open manner. I feel that the simple beauty of classical choral works will do that wonderfully, especially as the music and performers themselves will just spring up. I also really enjoy that I could actually do this project, and that the greatest difficulty would be finding 40 or so singers willing to donate their services.

Just as a note, the choir would need to be pretty well fleashed out, ie baritiones, tenors, altos and sopranos.